Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works
Identifieur interne : 002192 ( Main/Exploration ); précédent : 002191; suivant : 002193Acoustical qualification of Teatro Nuovo in Spoleto before refurbishing works
Auteurs : Alessandro Cocchi [Italie] ; Marco Cesare Consumi [Italie] ; Ryota Shimokura [Italie]Source :
- The Journal of the Acoustical Society of America [ 0001-4966 ] ; 2001-05-04.
Descripteurs français
- Pascal (Inist)
English descriptors
- KwdEn :
Abstract
To qualify the acoustical quality of an opera house two different approaches are now available: one is based on responses of qualified listeners (subjective judgments) compared with objective values of selected parameters, the other on comparison tests conducted in suited rooms and on a model of the auditory brain system (preference). In the occasion of the refurbishment of an opera house known for the Two Worlds Festival edited yearly by the Italian Composer G. C. Menotti, a large number of measurements were taken with different techniques, so it is possible to compare the different methods and also the results with some geometrical criterion, based on the most simple rules of musical harmony, now neglected as our attention is attracted to computer simulations, computer aided measurement techniques and similar modern methods. From this work some link between well known acoustical parameters (not known at the time when architects sketched the shape of ancient opera houses) and geometrical criteria (well known at the time when ancient opera houses were built) will be shown.
Affiliations:
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Le document en format XML
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<front><div type="abstract" xml:lang="en">To qualify the acoustical quality of an opera house two different approaches are now available: one is based on responses of qualified listeners (subjective judgments) compared with objective values of selected parameters, the other on comparison tests conducted in suited rooms and on a model of the auditory brain system (preference). In the occasion of the refurbishment of an opera house known for the Two Worlds Festival edited yearly by the Italian Composer G. C. Menotti, a large number of measurements were taken with different techniques, so it is possible to compare the different methods and also the results with some geometrical criterion, based on the most simple rules of musical harmony, now neglected as our attention is attracted to computer simulations, computer aided measurement techniques and similar modern methods. From this work some link between well known acoustical parameters (not known at the time when architects sketched the shape of ancient opera houses) and geometrical criteria (well known at the time when ancient opera houses were built) will be shown.</div>
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